ex-e Music

/ Posted on April 21, 2012 at 10:02pm

This song is Copyrighted in U.S., under Seal of Copyright # 154085, for a period of 28 years, and anybody caught singin it without our permission, will be mighty good friends of ourn, cause we don’t give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that’s all we wanted to do …

Woody Guthrie - Copyright Warning (1940)
/ Posted on November 20, 2011 at 3:14pm via jaymug with 532 notes
WTF is this. It doesn’t fit in my CD player. Is it like an iPod?

WTF is this. It doesn’t fit in my CD player. Is it like an iPod?

(via mareenmendez)

end
/ Posted on November 20, 2011 at 3:13pm via mareenmendez with 1 note
Thelonius Monk’s advice to saxophonist Steve Lacy …

Thelonius Monk’s advice to saxophonist Steve Lacy …

Things In perspective …

Things In perspective …

(via mareenmendez)

/ Posted on November 20, 2011 at 2:48pm via mareenmendez with 1 note
executions:

It Came From The Sky | ֹDazed & Confused MagazinePhotography by Richard Burbridge and artwork by Maurizio Anzeri.

executions:

It Came From The Sky ֹDazed & Confused Magazine
Photography by Richard Burbridge and artwork by Maurizio Anzeri.

(via charinmendis)

/ Posted on November 20, 2011 at 9:13am via motherjones with 75 notes

What's the Most Annoying Sound in the World? ›

motherjones:

Turns out it’s kids whining. Whiners beat out wood saws, machines, crying, and baby talk for being the most annoying. Extra points for when the kid whining isn’t yours.

(via charinmendis)

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(via John Lennon On Copying Others’ Music: It’s Not A Rip Off, It’s A Love In | Techdirt)
Aaron DeOliveira points us to this wonderful bit of historical trivia, involving John Lennon’s 1971 response to an article in the NY Times that accused the Beatles of “ripping off” certain black musicians who the band covered. However, John Lennon saw it quite differently:
In case you can’t read Lennon’s handwriting, here’s the text, with the key line highlighted: 
In Flight… yesAltitude… puzzledLocation… yes 14th Sep. 71. Dear Craig McGregor ‘Money’, ‘Twist ‘n’ Shout’, ‘You really got a hold on me’ etc, were all numbers we (the Beatles) used to sing in the dancehalls around Britain, mainly Liverpool. It was only natural that we tried to do it as near to the record as we could - i always wished we could have done them even closer to the original. We didn’t sing our own songs in the early days - they weren’t good enough - the one thing we always did was to make it known that these were black originals, we loved the music and wanted to spread it in any way we could. in the ’50s there were few people listening to blues - R + B - rock and roll, in America as well as Britain. People like - Eric Burdons Animals - Micks Stones - and us drank ate and slept the music, and also recorded it, many kids were turned on to black music by us. It wasn’t a rip off. it was a love in, John Lennon P.S. what about the ‘B’ side of Money? P.P.S. even the black kids didn’t dig blues etc it wasn’t ‘sharp’ or something.
When we talk about things like mashups, remixes, covers, tributes, homage and other such works that so directly build off of the past, we’re quite frequently told that this is not art and that people should “make their own.” It’s a common refrain we hear here all too often. And yet, they never seem to recognize that replaying what you’ve heard before is an important part of culture. It’s a way of sharing, spreading and building culture by connecting it with a larger group of people. It wasn’t a rip off, it was a love in.

(via John Lennon On Copying Others’ Music: It’s Not A Rip Off, It’s A Love In | Techdirt)

Aaron DeOliveira points us to this wonderful bit of historical trivia, involving John Lennon’s 1971 response to an article in the NY Times that accused the Beatles of “ripping off” certain black musicians who the band covered. However, John Lennon saw it quite differently:

In case you can’t read Lennon’s handwriting, here’s the text, with the key line highlighted:

In Flight… yes
Altitude… puzzled
Location… yes 

14th Sep. 71. 

Dear Craig McGregor 

‘Money’, ‘Twist ‘n’ Shout’, ‘You really got a hold on me’ etc, were all numbers we (the Beatles) used to sing in the dancehalls around Britain, mainly Liverpool. It was only natural that we tried to do it as near to the record as we could - i always wished we could have done them even closer to the original. We didn’t sing our own songs in the early days - they weren’t good enough - the one thing we always did was to make it known that these were black originals, we loved the music and wanted to spread it in any way we could. in the ’50s there were few people listening to blues - R + B - rock and roll, in America as well as Britain. People like - Eric Burdons Animals - Micks Stones - and us drank ate and slept the music, and also recorded it, many kids were turned on to black music by us. 

It wasn’t a rip off. 
it was a love in, 


John Lennon 

P.S. what about the ‘B’ side of Money? 
P.P.S. even the black kids didn’t dig blues etc it wasn’t ‘sharp’ or something.

When we talk about things like mashups, remixes, covers, tributes, homage and other such works that so directly build off of the past, we’re quite frequently told that this is not art and that people should “make their own.” It’s a common refrain we hear here all too often. And yet, they never seem to recognize that replaying what you’ve heard before is an important part of culture. It’s a way of sharing, spreading and building culture by connecting it with a larger group of people. It wasn’t a rip off, it was a love in.

(via charinmendis)

apoetreflects:

“The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”
—James Joyce, from A Portrait of the Artist as a Young Man (1916)

apoetreflects:

“The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.”

—James Joyce, from A Portrait of the Artist as a Young Man (1916)

(via charinmendis)

/ Posted on November 20, 2011 at 9:02am via freeindie with 191 notes
freeindie:

Cassette Art: Kurt Cobain

freeindie:

Cassette Art: Kurt Cobain

(via charinmendis)

World online music sales seen up 7 percent in 2011 ›

infoneer-pulse:

Global online music revenues are expected to rise by about 7 percent this year to $6.3 billion as digital services such as Spotify and iTunes gain momentum, technology research firm Gartner said on Tuesday.

But sales of CDs, hurt by piracy as well as paid-for online distribution, will continue to decline faster than can be made up for by digital sales, as the music industry struggles to adapt to consumers’ changing behavior, Gartner predicted.

By 2015, Gartner forecasts online music spending will rise to $7.7 billion from $5.9 billion in 2010. In the same period, consumer spending on CDs and other physical music forms is seen falling to about $10 billion from $15 billion.

» via Yahoo! News

(via emergentfutures)

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